By J. D. Reed
Virgil's Aeneid invitations its reader to spot with the Roman country whose origins and future it celebrates. yet, as J. D. Reed argues in Virgil's Gaze, the good Roman epic satisfies this id merely indirectly--if in any respect. In retelling the tale of Aeneas' foundational trip from Troy to Italy, Virgil defines Roman nationwide identification in basic terms provisionally, via oppositions to different ethnic identities--especially Trojan, Carthaginian, Italian, and Greek--oppositions that shift with the moving standpoint of the narrative. Roman identification emerges as multivalent and regularly altering instead of unitary and good. The Roman self that the poem provides us is capacious--adaptable to a common nationality, in all probability an imperial force--but empty at its center. although, the incongruities that produce this vacancy also are what make the Aeneid forever readable, because they avert a unmarried viewpoint and a unmarried concept of the Roman.
targeting questions of narratology, intertextuality, and beliefs, Virgil's Gaze bargains new readings of such significant episodes because the fall of Troy, the competition of heroes within the underworld, the loss of life of Turnus, and the disconcertingly sensual descriptions of the slain Euryalus, Pallas, and Camilla. whereas advancing a hugely unique argument, Reed's wide-ranging examine additionally serves as an amazing creation to the poetics and vital subject matters of the Aeneid.
Read or Download Virgil's Gaze: Nation and Poetry in the Aeneid PDF
Similar literary medieval criticism books
Opposite to the common view that girls exercised financial autonomy in basic terms in widowhood, Hutton argues that marital prestige used to be no longer the executive determinant of women's monetary actions within the mid-fourteenth century and that ladies controlled their very own wealth to a miles larger quantity than formerly well-known.
What importance does the voice or projected character within which a textual content is written have for our figuring out of the which means of that textual content? This quantity explores the character of the writer in antiquity, from Homer to past due antiquity, bearing in mind either Latin and Greek authors from a number of disciplines.
First released in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Plautine tendencies: experiences in Plautine Comedy and its Reception, a collective quantity released as a Festschrift in honour of Prof. D. Raios (University of Ioannina), goals to give a contribution to the present, excessive dialogue on Plautine drama and have interaction with lots of the themes which lie on the leading edge of contemporary scholarship on ‘literary Plautus’.
- Tolkien the Medievalist (Routledge Studies in Medieval Religion and Culture)
- Vertical Readings in Dante's Comedy: Volume 2
- A Concise Companion to Chaucer (Concise Companions to Literature and Culture)
- Fortune's Faces: The Roman de la Rose and the Poetics of Contingency (Parallax: Re-visions of Culture and Society): The "Roman De La Rose" and the Poetics of Contingency
Additional resources for Virgil's Gaze: Nation and Poetry in the Aeneid
Virgil's Gaze: Nation and Poetry in the Aeneid by J. D. Reed