By Theodore Ziolkowski
Beginning with the resurgence of Crete within the glossy cognizance in 1900 following the excavations of Sir Arthur Evans, Theodore Ziolkowski indicates how the story of Europa-in poetry, drama, and paintings, but in addition in cartoons, advertisements, and currency-was at the start seized upon as a narrative of sexual awakening, then as a automobile for social and political satire, and eventually as a logo of ecu team spirit. In contast, the minotaur supplied artists starting from Picasso to Dürrenmatt with a picture of the artist's experience of alienation, whereas the labyrinth advised to many writers the threatening sociopolitical international of the 20th century. Ziolkowski additionally considers the jobs of such sleek figures as Marx, Nietzsche, and Freud; of tourists to Greece and Crete from Isadora Duncan to Henry Miller; and of the theorists and writers, together with T. S. Eliot and Thomas Mann, who hailed using fantasy in glossy literature.
Minos and the Moderns concludes with a precis of the manners during which the commercial, aesthetic, mental, and anthropological revisions enabled accurately those myths to be taken up as a replicate of contemporary recognition. The ebook will entice all readers drawn to the classical culture and its carrying on with relevance and particularly to students of Classics and sleek literatures.
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Extra info for Minos and the Moderns: Cretan Myth in Twentieth-Century Literature and Art (Classical Presences)
Minos and the Moderns: Cretan Myth in Twentieth-Century Literature and Art (Classical Presences) by Theodore Ziolkowski