By Ruth B. Bottigheimer
Most early fairy story authors had much to assert approximately what they wrote. Charles Perrault defined his assets and mentioned buddies’ reactions. His niece Marie-Jeanne Lhéritier and her good friend Marie-Catherine d’Aulnoy used dedications and commentaries to situate their stories socially and culturally, whereas the raffish Henriette Julie de Murat accused all of them of taking their plots from the Italian author Giovan Francesco Straparola and admitted to borrowing from the Italians herself. those reflections shed a shiny gentle on either the stories and on their composition, yet in each case, they have been got rid of quickly after their first booklet. last principally unknown, their absence created empty house that later readers full of their very own perspectives concerning the stipulations of construction and reception of the tales.
What their authors needed to say approximately “Puss in Boots,” “Cinderella,” “Sleeping Beauty,” and “Rapunzel,” between many different fairy stories, is accumulated the following for the 1st time, newly translated and followed by means of wealthy annotations. additionally integrated are revealing commentaries from the authors’ literary contemporaries.
As a complete, those forewords, afterwords, and significant phrases at once handle matters that tell the modern research of ecu fairy stories, together with conventional folkloristic issues approximately fairy story origins and function, in addition to questions of literary aesthetics and historic context.
“…more than a bit provocative … provides a lot to the sector of fairy story studies.” — Journal of the glorious within the Arts
“This mix of introductory details and first resources makes the ebook fundamental for severe scholars of fairy story literature. Taken as a complete, the essays create a full of life photo of the company of fairy story production … hugely recommended.” — CHOICE
“There are many multifaceted gemstones during this assortment and they're going to end up worthwhile examining for these operating with eu fairy tales.” — Maria Tatar, editor of The vintage Fairy stories: Texts, Criticism
Ruth B. Bottigheimer teaches eu fairy stories and British children’s literature at Stony Brook collage, country collage of latest York. She is the writer of a number of books, together with Fairy stories: a brand new History, additionally released via SUNY Press, and Fairy Godfather: Straparola, Venice, and the Fairy story Tradition.
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Extra info for Fairy Tales Framed: Early Forewords, Afterwords, and Critical Words
Fairy Tales Framed: Early Forewords, Afterwords, and Critical Words by Ruth B. Bottigheimer